2022 / ankle biter, bean counter, fender bender MFA thesis exhibition at Boarding House Gallery, photographed by Alison Postma. Video documentation by Miles Rufelds.

2022 / ymir’s eyelashes installed at Zavitz Gallery at the University of Guelph

2022 / water, wound river installed at Zavitz Gallery at the University of Guelph

2021 / year-counter, flesh-marker installed at Zavitz Gallery at the University of Guelph

2022 / year counter, flesh marker installed for MFA Open Studios at the University of Guelph

2022 / rye cures rupture, the moon cures rage installed for MFA Open Studios at the University of Guelph

2021 / wood wove sculpture work for grass taps group exhibition at the plumb in Toronto, photographed by Alison Postma

2013 / EPLE SLANG [apple scrumping] a homemade, solar-powered dehydrator, drying out apples gathered from urban trees over the course of the exhibition. Curated by Tara Bursey and installed in the window gallery at gallery 1313 in Parkdale (Toronto)

2021 / three times burned, and three times born hanging sculpture, scrap wood charms

2020 / Snow Flower Sunset Lake (YELLOW) installation for no show group exhibition at Boarding House Gallery

2016 – 2019 / Snow Flower Sunset Lake interdisciplinary research in conversation with my maternal grandmother Klara Tuft, in rural Northwestern Ontario

2018 / Some ideas about warmth still life arrangements of hand-built ceramic bowls, photographed for Bogdan Cheta‘s project notes on how to cook with thoughts & sleep with sounds at 67 Steps in LA

2017 / Body Strata a series of ceramic forms developed during a residency at The Khyber Centre for the Arts in Halifax

2018 / Body Strata further development of ceramic forms during a residency at Medalta in Medicine Hat